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"A Flower That Continues to Unfold" Lance Smith

June 03, 2023 by Available Space Art Projects

Art has always served as a powerful medium for self-expression, cultural commentary, and social change. In Lance Smith’s "A Flower That Continues to Unfold," the artist presents a thought-provoking collection that delves into the intersectionality of gender, Blackness, queerness, and technology. Through an exploration of color theory, ancestral connections, and the celebration of marginalized voices, Lance creates a space that affirms the right of Black trans individuals to exist and thrive in a world often plagued by discrimination and bigotry.

The project invites us to reflect on the longstanding existence of gender expansiveness in the African and African American diasporic canon. Through vivid imagery and symbolic representations, the artist honors the resilience and persistence of marginalized communities. By weaving together stories of the Americas and Nigeria, the exhibition highlights the transformative qualities inherent in plants and all living things, inviting viewers to contemplate the beauty found within even the most humble and inconsequential aspects of life.

"A Flower That Continues to Unfold" stands as a powerful statement of Black Trans Liberation. The artwork serves as a decisive comment on the existence of Black Trans realities outside of death. Through repetition, tints, tones, and texture, the artist magnifies the experiences and narratives of Black transgender individuals, asserting their right to exist and thrive in a world that too often denies them their basic humanity. The exhibition dismantles dangerous notions of identity and challenges the classification systems used to justify the marginalization and extermination of marginalized communities.

Movement, sound, and video are employed as circuits to create a sonic narrative of ancestral communications. The artist skillfully interweaves these elements, reinforcing the idea of an interconnected, living world where all forms of life are valued and celebrated. By incorporating elements of African culture, traditions, and experiences, this exhibition imagines a future rooted in the rich tapestry of the past, acknowledging the foundational tenets of humanity and emphasizing the importance of uplifting and celebrating marginalized voices.

Naturally derived pigment and the creation of energetic surfaces serve as vehicles for exploring the complex intersectionality of Blackness, queerness, and technology. The artwork challenges the dangerous notions of identity prevalent in a world where classification is often used as a weapon against marginalized communities. By utilizing these mediums, the artist invites viewers to question and redefine societal constructs, ultimately advocating for a more inclusive and compassionate society.

"A Flower That Continues to Unfold" demands attention, introspection, and engagement. Through a combination of color theory, ancestral connections, and the celebration of Black trans liberation, the artist creates a vibrant space that invites viewers to reflect on the beauty and resilience found within. By acknowledging the pain of the past, embracing the precariousness of the present, and envisioning a future rooted in freedom, the exhibition emphasizes the importance of uplifting and celebrating the voices of the marginalized. It is through art that we can pave the way for a more inclusive and equitable world, where all individuals are valued, seen, and celebrated.

June 03, 2023 /Available Space Art Projects
Lance Smith

"Pareh Parvaz" Afsaneh Javanmard

April 30, 2023 by Available Space Art Projects

Afsaneh Javanmard is a photographer who creates surreal and dreamlike images. Her work often features women in flowing dresses, floating underwater or imagery that surrounds the viewer by nature. Javanmard's photographs are both beautiful and thought-provoking, and they offer a glimpse into her own unique vision of the world.

Javanmard was born in Iran, and she began taking photographs at a young age. She studied photography at a private university in Tehran, and she later moved to Dallas, Texas, where she refined her skills at Richland College. In 2005, Javanmard moved to Las Vegas, Nevada, where she currently lives and works.

In her artist statement, Javanmard writes: "There are many ways in which an artist can express their inner self: for me it is photography that resonates with my soul. My mission as a photographer is to emanate a spectrum of emotions in the observer by capturing images that are not easily seen through the naked eye. I find pleasure in capturing moments such as a droplet of water making contact with a rough surface and creates a splash, presenting the fluidity of water and how it can take a familiar shape in response to impact."

Javanmard's underwater series is particularly striking. In these photographs, women float weightlessly in the water, their bodies surrounded by bubbles and ripples. The women are often dressed in flowing gowns, and the water creates a texture that both beautiful and otherworldly.

Javanmard's photographs are not simply beautiful images. They are also thought-provoking. In her work, Javanmard explores themes of beauty, fragility, and the power of the imagination. She invites us to look at the world in a new way, and to see the beauty that is often hidden in plain sight.

"Water Painting" is a dynamic image of a woman painting underwater. The woman's body is perfectly still, and she appears to be suspended in mid-air. The photograph is both graceful and powerful, and it captures the beauty of the human form in motion.

Javanmard's photographs are a feast for the eyes. They are beautiful, thought-provoking, and full of imagination. The use of color is stunning. She often uses bright, saturated colors to create a sense of vibrancy and energy in her photographs. The compositions are masterful. She has a keen eye for creating balanced and visually appealing images. Overall, Afsaneh Javanmard is a talented photographer who creates stunning and thought-provoking images. Her work is a must-see for anyone interested in photography, art, or simply beauty.

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April 30, 2023 /Available Space Art Projects
afsaneh javanmard

"Spettacolo" Fay Ku

April 01, 2023 by Available Space Art Projects

“Spettacolo” is New York City-based artist Fay Ku’s first solo exhibition in Las Vegas, NV, but Ku is no stranger to the city and its community. Ku was a 2009 visiting artist-in-residence at UNLV, and she has since maintained a professional and personal connection to the city through several group shows, through her artwork in the permanent collection of the Marjorie Barrick Museum, and in her friendships with former students and colleagues. “Spettacolo” celebrates her long-standing affection for the city and its people, with much of the work made recently and in anticipation of her return.

Ku has long made works on paper where a cast of characters—most often women and children—engage (often disturbingly so) in the full spectrum of human behavior. Through her background as a double immigrant (born in Taiwan to a family originally from China), she draws inspiration from cultural and art histories, mythologies, and language.

The newest work is playful and lighthearted; spettacolo means performance or spectacle, and Ku’s cast of characters involve themselves with display, performance and/or movement—literal movements at times. Here, acrobats and performers have limbs or other components that can be moved by the viewer: a dancer dangling a threaded triangle can have her bent leg swivel out, for example, or an acrobat flies with flapping wings.

Fay Ku is a Taiwan-born, Brooklyn-based artist whose work is figurative, narrative and connects with past and present cultural histories. She is the recipient of a 2007 Louis Comfort Tiffany Grant and 2009 New York Foundation for the Arts fellowship grant and has exhibited both nationally and internationally, including solo exhibitions at the Honolulu Museum of Art (Honolulu, HI), Marlboro College (Marlboro, VT), New Britain Museum of American Art (New Britain, CT) and Snite Museum of Art (South Bend, IN).   Her work is in the collection of Honolulu Museum of Art (Honolulu, HI), Marjorie Barrick Museum of Art (Las Vegas, NV), New Britain Museum of American Art (New Britain, CT), and the Wadsworth Atheneum (Hartford, CT).  She has been an artist-in-residence in over a dozen residencies, including Wave Hill (The Bronx, NY),  Lower East Side Printshop (New York, NY), Tamarind Institute (Albuquerque, NV), and Bemis Center for Contemporary Art (Omaha, NE).   

Ku is currently a Visiting Assistant Professor at Pratt Institute, Brooklyn, NY. She earned a B.A. in Literature and Visual Arts from Bennington College (Bennington, VT), and a M.F.A. in Studio Art and M.S. in Art History from Pratt Institute, Brooklyn, NY.  Ku is represented by H Gallery, Paris, France. 

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April 01, 2023 /Available Space Art Projects
Fay Ku, paintings, Fiber Art

Jessica Oreck

"Manuport" Curated by Mary Sabo

January 01, 2023 by Available Space Art Projects

MANUPORT
A manuport is a natural object that has been deliberately taken from its original environment and relocated without further modification. Typically moved by human hand, some manuports are the result of other hominins. Common manuports include stones, seashells and fossils, which has led archaeologists and anthropologists to conclude they must have been chosen for their beauty.This recognition of an object’s aesthetic character suggests that certain manuports represent some of the earliest examples of art.

Marissa Gibson, sculptor and UNLV BFA graduate, created a selection of humanoid creatures from rock and cold porcelain. Instagram: @lvmb.art

Jessica Oreck, filmmaker and owner/operator of the office of collecting and design, curated a selection of objects from her vast collection. Instagram: @office.of.collecting

Ailene Pasco, UNLV BFA graduate, artist, and arts administrator, used found film strips and recycled materials to create evocative interactive pieces. Instagram: @ailenepascoart

DK Sole, artist and educator/researcher at the Marjorie Barrick Museum of Art, presented a sampling of a larger series of small objects, made from found objects, paper clay and paint. Instagram: @dksole

Sierra Slentz, sculptor and educator, presented a selection from her amorphous, abstract ceramic series, Under the Desert Sky. Instagram: @sierramaryslentz

For this show I wanted to transform the ASAP space into a cave, with rocklike outcroppings as homes for small sculptures by artists who deal with the ephemeral and personal. 

I asked five artists for small sculptural pieces that relate to their interpretation of a manuport. I also asked them to consider the following:

  • Trinkets

  • Talismans

  • Offerings

  • Sahara Gem and Mineral Gift Shop

  • Treasures

  • Objects of Desire

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January 01, 2023 /Available Space Art Projects
Manuport

"Be Fnord, Be Very Fnord" Aaron Sheppard

November 07, 2022 by Available Space Art Projects

Continuing in a world (mostly) post-pandemic, as well as considering the timeliness of being exhibited during Halloween - such are underpinnings for these latest creations as objects examining energies of "monsters" and emotions of creatures tantalized by humankind's creation.

Although the usual sexual and gender explorations exist most evident, additional spice has been added to the mixture that stems from recent readings about Illuminati which includes political motivations for controlling populaces via fear and guilt anxiety (fnord).

The tongue-in-cheek works reference popular horror and/or sci-fi movies stemming from more (or less) obscure literature (Mishima, Burroughs, Wilson and Shea, Lovecraft, Stoker) while also relying upon personal dreams, writings and memory for completion.

Conceptual performance: “There’s a Hair in My Safe Space” will be available each day during the week [as] Sheppard continues to establish the exhibition of his works at ASAP. While lighting or continuing to arrange and paint walls – even creating new works onsite – he will simultaneously make himself available in his capacity as Reverend with Universal Life Church Ministries to console and listen to visitors who may be triggered by horrors existing across surfaces of each of his current works on display. Whether the imagery be charged with sex, violence, racial and gender injustices, conspiracy theories, or simply good old fashioned ghost story references, etc. Sheppard has collaborated with ASAP to ensure open dialog while creating a designated safe space. Fear not, please visit any day this week between 1-6pm for infnordal engagement with the artist and his work.

Aaron Sheppard speaks eloquently about constructing and projecting identity, religiosity, sexuality, and a counter-factual historicism. His filter is the culture's love of fame and/or pornography, mixed with the romance and perversion of classical allegorical portraiture. His lavish materiality finds a narrative function for neon light tubes, thick heavy paint, and extreme mannerism in his mostly nude figures, forcing people to deal with the inconvenient object and not just the idea of it.Art history is used as a case study for cognitively accepting the chaotic simultaneity of paradoxical life experiences, expressive of the messy exuberance of memory and desire. As observed by his spirit-guide, the incendiary philosopher Georges Bataille, "The need to go astray, to be destroyed, is an extremely private, distant, passionate, turbulent truth." And Aaron sincerely recommends going astray. -Shana Nys Dambrot

View more of Sheppard’s work HERE.

Settlers + Nomads

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November 07, 2022 /Available Space Art Projects
Aaron Sheppard

"Prompt" Wendy Kveck

October 08, 2022 by Available Space Art Projects

Prompt: 

Make some paintings 

Hold a thought

Feel the thinking 

Spice up your studio practice

Embrace the awkward transition period

Own the hot mess 

Gather some women together

Ask them to wear frosting and perform

Eat noodles and drink LaCroix 

How much do you really need?

How to make art 

How to make good art 

How to feel like an artist again

How to not feel like a fraud 

How to be good

Write some prompts in your sketchbook 

Laugh really hard

She would not let any shame come upon her. She would wear the costume of the leaf. -

Sheila Heti, Pure Colour

Wendy Kveck’s ASAP pop-up project presents Prompt: recent painting studies and performance documentation. Sketchbook notes, inner dialogues and stage directions as prompts propel creative action. Informed by a feminist practice, Kveck’s collaborative work activates social perceptions and dialogue around vulnerability, chaos, agency and transformation.

Wendy’s project Prompt features work based on a performance titled Undone. Documentation from the Undone series

All photographs by Emily Sarten other than those credited to Mikayla Whitmore.
Undone is an ongoing  project by Kveck activating paintings and collage work while unpacking, through repetition and performance, rituals of femininity and feminine and anti-feminist tropes.

Thank you to collaborators: Adriana Chavez, Felicia Gassen,  Alisha Kerlin, Toshie McSwain (wigcraft.vegas), Quindo Miller, Emily Sarten and Mikayla Whitmore.

Southwest Contemporary

New Art Examiner

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October 08, 2022 /Available Space Art Projects
wendy kveck

"Margarita" Daisy Sanchez

July 08, 2022 by Available Space Art Projects

Daisy Sanchez was born in 1998 in Las Vegas Nevada. She is currently earning her BFA with an Emphasis in Sculpture Practices at University of Nevada, Las Vegas. Much of her work is based on memories, irony, humor, and the human body.

She is an interdisciplinary artist working with found objects, video, photography, oil and acrylic paint. She prefers to work with found objects to explore the qualities and take creative risks. With different materials, it has the advantage of conceptually and figuratively be used to express her concepts. She is inspired by the world around her from past to present experiences as an individual and her culture.

Daisy Sanchez’s artistic philosophy seeks in giving a different perspective to allow imagination to the viewer. Through the world of avant-garde she holds her greatest interest to showcase the unusual, shock, expressiveness and conveying any kind of emotion is important.

“Margarita means Daisy in Spanish so as a kid I thought Margarita was my Mexican name and Daisy was my American name. At 5 years old it made a lot of sense to me and I told people my name is Margarita.

I never appreciate my culture enough until I visited Oregon and was culture shocked. Seeing diversity is normal to me. It made me realize how unique life with immigrant family is.

The sweetest and most beautiful things in everyday life are the little things. Like family parties where they try to make the best out of what they have. Hearing the street vendors bells and running out to get pallets as a kid. Having breakfast like we were in the rancho. The music I would hear my dad listen to while drinking tequila. The poetic movement and the faith it comes when someone older is giving you the sign of the holy cross (cuando alguien te persigna). The older cousins I watched grow and never change.

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July 08, 2022 /Available Space Art Projects
Daisy Sanchez

“Grooming the Ocean Wave (The Winning Ticket)” Cory McMahon

May 22, 2022 by Available Space Art Projects

Art is life or death for an artist; for, if creation stops they are expelled to that as non-artist. The artist's life frames all aspects as potential material. Within the (art) object is the potential for a shift in perspective after its encounter.

The lottery ticket is an object that society encircles; each participant projects their individual needs onto it. The terms are clear. Immediately upon winning, you are somewhere new. Your place is altered. This potential is suspended when the intended action is not performed onto the ticket.

The ticket is now pointing to the anticipation of its function or anticipation as function. The reality not only lies within its true odds, but the projection that the viewer places upon it. The ticket is a transformational object prior to its revealing moment.

For "Grooming the Ocean Wave (The Winning Ticket)" Cory is proposing that the act of creation contains real potential for transformation shared between artist, object and viewer. He aims to separate this "real" potential itself from a mere representation or image.

Cory McMahon is an inter media artist that lives and works in Las Vegas. At the center of his work lies the constant existential question of art's efficacy in broader contexts. Cory blurs the line between art and life, and challenges the conventions of where material begins and ends.

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May 22, 2022 /Available Space Art Projects
cory mcmahon

"The Desert Sea" Grüüp

March 24, 2022 by Available Space Art Projects

The Desert Sea was a four-day exhibition at ASAP in Las Vegas, where visitors embarked on their own journey through an installation of mountainous seas and deserted islands. Paintings, collage and sculptural works are accompanied by a soundscape created for the space.

The exhibition will culminated with a mask-making event, mini-parade and performance by psyche-noir band The Renderers.

“…The ocean is very similar to the desert, it’s just that the ocean is wet and the desert is dried-up ocean…” -Captain Beefheart. Since moving to the Mojave desert from Aotearoa / New Zealand, all four Grüüp artists have been affected by this radical shift in environment and for the past decade, made works responding to the connections and differences between their country of origin and their new-found home.

Known individually for their surreal visions and haunting soundscapes, Maryrose and Brian Crook, Matthew Couper and JK Russ are now channeling their creative energies in a collective direction. Their work has been experienced in a variety of venues ranging from international art fairs, lowbrow galleries, high-end Strip hotels and underground Tokyo nightclubs.

Presented in publications from Juxtapoz and Hey! Magazine to the The Washington Post, their creative projects have been described as “unconventional”, “surreal” and “unalloyed, indescribable weirdness”.

The name Grüüp was developed as a faux-mojibake, where the umlauts work as a typogram to represent the four members of Grüüp. The forming of Grüüp and its inaugural exhibition in February 2022 is a nod to the formation.

There are a few people that we would like to acknowledge:

Indigenous Educators Empowerment (https://ieenevada.org)

Ben-Alex Dupris

Curtis Joe Walker Photography

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March 24, 2022 /Available Space Art Projects
gruup

Pasha Rafat

January 06, 2022 by Available Space Art Projects

For the month of December we welcome guest curator Pasha Rafat. This exhibition included national and international artists that have a community connection to Las Vegas, NV.

Featured Artists: Ginger Bruner, Ash Ferlito, Maureen Halligan, Afsaneh Javanmard, Dylan Jones, Fay Ku, Yuino Nakabayashi, Kathleen Nathan, Lisa Rock, Aaron Sheppard

Rafat asked participating artists to submit still life artwork to create a more traditional show than what is often seen in our space. He was able to play with the artwork and during his time here the show changed drastically almost very other day. Whether it was painting walls, moving around work, or adding removing new pieces, his curation became very playful and exploratory. Each day brought new ways of seeing the work and connections between pieces formally.

The idea of the show came from a sculpture of bottles he created based on Morandi. This expanded into an idea of repetition. He commissioned a painting of the bottles which became a more saturated version that was very different than the original Morandi. He also commissioned a drawing of the same bottles by a different artist. These contrasting works became an interesting look at artist interpretation and creative license.

On the night of the reception he invited Aaron Shephard to have his tattoo truck outside for guests to go and get still life tattoos. This performance was not only a crowd hit but also an interesting take on the idea of what a still life is.

KTNV Interview

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January 06, 2022 /Available Space Art Projects
pasha rafat, still life show, painting, sculpture, Video Art

"Miscellaneous Debris" John Stoelting

November 02, 2021 by Available Space Art Projects

John Stoelting says that as a kid, he broke a lot of things (by accident) and that fixing those things is how he learned about how things are put together.

Today, he spends a lot of time looking through lenses-- either at the sky or through a microscope --and loves to teach others how to make things. He has a particular affinity for creating and using tools, and describes the process of making his own metal alloys or reproducing cutlery from 1100 BC as a kind of “experimental archeology.”

Whether it's casting a drawer pull for a friend, learning how to felt, or figuring out how to send an artwork into orbit, John's work comes from a place of curiosity. His artwork (rarely a finished object) sits somewhere in the process of finding, fixing, building, tinkering, and staying busy.

He has an MFA from UNLV, a BFA from Herron School of Art and an associates degree in aviation maintenance. When he’s not making art for himself or others, he teaches and fixes shop equipment at the UNLV Department of Art.

John Stoelting's “Miscellaneous Debris”includes an aggregate of experiments and handmade objects that span over a decade in the making.

KTNV

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November 02, 2021 /Available Space Art Projects
john stoelting, sculpture
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"Oh, Yesterday" Jennifer Henry

July 16, 2021 by Available Space Art Projects

In June 2021 we welcomed artist Jennifer Henry to transform ASAP. She curtained off the space to create an intimate performance as well as feature NFT’s and photographic prints.

“I like to remember things better than they really were... brighter, braver and briefer. And I've never been sure it's all that important to tell the whole joke, if the punchline hits hard enough. So, as I dream up my performances - when I envision my players in their place - it's always a short and straight forward spectacle.

Glitter and glamour are the beguiling glue that holds the whole thing together, at least for a little while. And though the performance is as fleeting as the paper and plastic materials from which it is made... it's the experience that you're meant to take away.

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Like the afterimage left on the inside of the eye when you're done looking but the mind still sees. It's not an exact copy of what you saw but an imperfect memorial of sorts. Cast with opposite colors, floating out before you as it fades.

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“oh, yesterday” was loosely inspired by American playwright Samuel Beckett’s “Happy Days” and British pop stars The Beatles’ “Yesterday. " But really, it's its own riff on the quintessential existentialist exploration: how to understand the end is unavoidable and what we'll do until it gets here.” - Jennifer Henry

An ever-evolving exploration in transforming the everyday materials of plastic, cellophane, paper, ribbon and tape into otherworldly performative artworks, artist Jennifer Henry began making wearable pieces on a whim in 2009. Since then, her creations have been showcased in a wide array of venues including New York Fashion Week, SXSW (South by Southwest), Art Production Fund NY P3Studio, LACMA (Los Angeles County Museum of Art) Costume Council, Las Vegas City Hall, The Clark County Rotunda Gallery as well as numerous galleries and public spaces including recent shows in Ontario, Canada, Palm Springs, CA, Santa Fe, NM, Philadelphia, PA, Joshua Tree, CA. Jennifer's work has frequently been featured in national and local art, fashion, entertainment and news publications, radio and television programs. Born in Philadelphia, PA, Jennifer has been a resident of Las Vegas, NV since age 8 and credits the city's bombastic persona for her love of all things bold, beautiful and a bit over the top.

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July 16, 2021 /Available Space Art Projects
Jennifer Henry, performance, performing arts, nfts, photography

"Up Next" Nima Abehenar

May 14, 2021 by Available Space Art Projects

For April 2021 we welcomed Nima Abekenar to do a project in our space. He would often visit us in our studio to brainstorm how he would change the space. Much of Abekenar’s work is about effecting the physical space in which a work of art exists in.

This in turn becomes his work. With past installations he has done this by flooding a space or bringing new architectural elements into existing ones. With ASAP he decided to not only do this physically but conceptually, taking into consideration what ASAP operates as; a project space.

With that in mind he transformed our space by building a wall close to the window to display paintings that seemingly advertise the next artist. He locked the door, not allowing guests within the tight space. This created a barrier as if it is an in between show “advertisement” not an actual work of art.

NIMA ABKENAR is a conceptual artist from Iran. In his work, he explores the subtleties of social phenomenon and  political events. His dislocation from his native home at 17 has shaped his contextual and conceptual views in art and  sociology. In his latest work "The Case of Burning a Flag", Abkenar displays a burning Israeli flag, and seeks the unbiased  ground of the observer to ontologically execute the complexity of this social-political phenomenon in the context of the  artist’s inevitable consequential connection to the event. 

Nima’s interest in context has bounded his art practice with alternative non-art spaces such as commercial buildings and  abandoned warehouses. For his latest collaboration with Black Mountain Institute, Believer Festival, he created a site specific light installation 1200; using 1200 gallons of water to contextualize the monumental quality of water. 

For the past five years Nima Abkenar has collaborated with art entities such as Black Mountain Institute, D-well, AG  gallery, and City of Las Vegas Office of Cultural Affairs to create installations and develop public art projects both nationally  and in his home country, Iran.

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May 14, 2021 /Available Space Art Projects
paintings, installation, nima abekenar
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"Content May Settle" Alisha Kerlin

March 29, 2021 by Available Space Art Projects

ASAP welcomed Alisha Kerlin's solo project Content May Settle from February 21 -

27th 2021. Kerlin used ASAP as an experimental space to make and install dozens of new

paintings from her junk mail series. Content May Settle is Kerlin's first solo art

project since becoming a mother and director.

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"My work is made at our breakfast table in the living room. I paint on junk mail and

other disposable or disregarded materials. I use fragments from family

conversations for the text in my paintings.

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I collaborate with artists and writers.

Childhood memory is a big part of the work as is my role as a mother. My job as

museum director leaks in as well. These conditions shape what I make—imperfect,

quick, gestures made to acknowledge the roles others have in my life."

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“In their isolation, Kerlin’s paintings function much more closely to the slippery,

meaning-stuffed, ever-evolving nature of language itself,” wrote Matthew Newton

in 2011 for Art21. Over the last decade, Kerlin’s work has become more and more

about connection.”

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Alisha Kerlin makes art in her living room on her desk. Her paintings are on junk

mail. A graduate of the Milton Avery Graduate School of Arts, Bard College (MFA),

and the University of Tennessee, Knoxville (BFA), Kerlin’s own artwork has been

shown at institutions ranging from P3Studio at The Cosmopolitan, Las Vegas, to

the Museum of Modern Art’s PS1 Museum in New York. She lives and works in Las

Vegas, NV with her family.

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LAS VEGAS WEEKLY

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March 29, 2021 /Available Space Art Projects
Alisha Kerlin, painting
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"After All" Mary Sabo

February 06, 2021 by Available Space Art Projects

Mary Sabo is a multimedia artist living and working in Las Vegas. Her interests/inspirations include dirt, rituals, and surrealism.

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Mary attended the University of Nevada, Las Vegas as a sculpture BFA Student, has had work in multiple shows in southern Nevada, and has professional experience in prop making and fabrication.

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This series of dioramas depicts landscapes and environments as vehicles for exploring identity, loneliness and escapism.

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The ideas for these miniature pieces started forming in the beginning of quarantine, when the world seemed to shrink and escape was only possible in the form of fantasy.

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This project is my attempt to put into form dystopian inner worlds that are familiar yet unsettling.

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February 06, 2021 /Available Space Art Projects
mary sabo, ceramics, miniatures, sculpture
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"Tinted Vegas" Art 404

January 02, 2021 by Available Space Art Projects
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Art 404 created a video installation based on the activities at Historic Commercial Center, housing some of the most vibrant cultural affairs, especially those in 1970-80’s.

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The projections of storefronts evoke of social gatherings representing cultural activities that can only be manifested in this city. Designed by UNLV art & architecture students of fall 20 “Art in Public Places” class, a course structured with an emphasis on collaboration, creating permanent, temporary and ephemeral projects.

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January 02, 2021 /Available Space Art Projects
Art 404, Video Art
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"How to Explain Electoral Politics Without Splitting Hares" Chad Scott

November 14, 2020 by Available Space Art Projects

The cornerstone of Democracy rests upon free and fair elections. However, recent efforts are undermining the electoral process through misinformation, voter intimidation, and outright attempts to disenfranchise voters from their constitutional right to cast a ballot. Rather than ensuring voting is safe and accessible during a global pandemic, these efforts are Wagering Life and Gambling with Democracy, ultimately forcing voters to choose between risking their health or risking their ballot.

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These efforts are the newest tactics in a long history of voter suppression within the U.S., which ranges from denying citizens the right to vote to providing insurmountable challenges to participate in the electoral process through poll taxes, literacy tests, and grandfather clauses.

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This performance installation responds to the current situation vis-à-vis historical antecedents of voter suppression. Prior to entering the exhibition space, visitors will be presented with a relic of the civil rights era—a literacy test—that was selectively used to disenfranchise voters. Viewers become participants upon their consent to complete a literacy test. No personally identifiable information will be included on the test. Completed literacy tests will be used for a future exhibition.

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Chad Scott is an interdisciplinary artist who works at the intersections of politics, culture, and lived experience(s). He is particularly interested in the ways social structures and institutions shape and are shaped by individual and collective action. Recent projects have focused on the electoral process as a cultural event, civic discourse and participation as they relate to boundary antagonisms of analog and digital culture, and politics of space and place. Borrowing from Walter Benjamin, this approach may be described as “The work of [socially-engaged] art in the age of re[mix and post-]production.” This line of inquiry remixes and re-contextualizes past, present, and future aspects of social, cultural, and political phenomena.

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Chad is currently an Artist-in-Residence with the Gayle A. Zeiter Literacy Development Center at the University of Nevada, Las Vegas and served as the inaugural Art Educator-in-Residence with the Marjorie Barrick Museum of Art in 2019.

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Chad has a PhD in Sociology from Texas A&M University, an MFA in studio art from the University of Houston, where he was awarded a Cynthia Woods Mitchell Fellowship in Sculpture, an MA and BA in Political Science from California State University, Sacramento/ Stanislaus.

SETTLERS AND NOMADS

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November 14, 2020 /Available Space Art Projects
chad scott, political art, performance
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"They're All Gonna Laugh at You" Heidi Rider

October 25, 2020 by Available Space Art Projects

I have moved more than 40 times in my life. I’ve lived in seven different states, attended eleven different schools, and was home-schooled for three years. For an entire year in high school, I ate my lunch alone in a bathroom stall. Having frizzy hair, wearing hand-me-down clothing and speaking with an out of state accent didn’t make me any friends, but it sure as hell taught me how to use comedy to deflect shame and rejection.

Chase Stevens

Chase Stevens

When starting over as the perpetual new girl becomes a regular part of your life, you learn how to make it work for you. I grew up afraid that people would stare at me, or single me out as a weirdo and laugh at me. Now, in my performances, I deliberately place myself in those vulnerable and terrifying spaces and we share it together. I work almost exclusively in direct address with constant and unmistakable eye contact. No one hides. We all see each other. 

Chase Stevens

Chase Stevens

I love me some losers—black teeth lady, saggy titties, ugly toupee no-chin-man, white trash granny, big butt lady, balding fat belly man. These people make me want to cry. Losers still need love; I perform them with some deep affection. And assholes still need to be called assholes. When I skewer and lambaste jerks, I make them as ugly as possible. I love making them stand accountable for themselves through my body. I let myself get wild and nasty to make people uncomfortable, laugh, or get angry. To feel something. I incorporate humor into my art, even when it isn’t funny.

Chase Stevens

Chase Stevens

In performances and in my visual work, I use the extreme comic character of the clown to channel personal and cultural anxieties. Clowns can joyfully process embarrassing feelings because they don’t experience shame. They’ll do anything for love and if they fall on their face, they just bounce back up and keep frolicking forward. Straight into the Pits of Hell, LALALA!! Through clown, I celebrate becoming the loser of my choosing.

Chase Stevens

Chase Stevens

Chase Stevens

Chase Stevens

Chase Stevens

Chase Stevens

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October 25, 2020 /Available Space Art Projects
Heidi Rider, performance, clown, paintings, pastel, drawing, mural

"Good Effort!" Krystal Ramirez

August 17, 2020 by Available Space Art Projects
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August 17, 2020 /Available Space Art Projects
krystal ramirez, Good Effort!, photography, painting, installation, light
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