"Wet on Wet" Gig Depio

April 06, 2025 by Available Space Art Projects

There’s something shifting, not just in Vegas, but in the wider art world too. Painting is having a moment again, and it’s not about the polished or the precious. It’s about being in the middle of it, in the mess, in the movement. Wet on Wet, our latest exhibition at Available Space Art Projects (ASAP), leaned fully into that energy.

The show was about the act of painting as a process, a chase, a kind of visual feeling-out of what’s just around the corner. There's a tease to it, catching that idea before it hardens into something too fixed, too known. The works invited viewers into that space between becoming and being, where gestures are still wet, thoughts still raw.

The lineup brought together a crew of artists each with their own distinct voice and painterly approach: Gig Depio, Darren Johnson, Alexa Tapia, Phil King, and Jon Ashcraft.

Gig Depio, based here in Las Vegas, has been a cornerstone of the Nevada art scene for over a decade. A recipient of the 2016 and 2023 Nevada Arts Council Fellowship Grant in Painting, Depio’s murals and paintings reflect both personal and cultural narratives with bold color and dense layering. His work continues to shape public art throughout the city and beyond.

Darren Johnson works at the intersection of curating and creating. As manager of the Las Vegas-Clark County Library District’s art galleries, he’s constantly immersed in visual culture. His own paintings, which have shown nationally, from the Toledo Museum of Art to the Marjorie Barrick Museum, play with form, mood, and memory.

Alexa Tapia brings a tender observational quality to her work, recording the light and form of everyday life in Las Vegas. A Filipina Puerto Rican artist and UNLV alum, she works across oil paint, pastel, and collage, often with the Scrambled Eggs artist collective. Her work feels personal and grounded, like catching a glimpse of something soft and fleeting.

Phil King is originally from the UK and a graduate of Goldsmiths College, London. After stints in London and California, he now paints out of Lourdes, France, in an atelier nestled at the foot of the Pyrenees. Mountains have become his recurring subject, which he describes as “a good model for painting paintings”, a poetic idea that echoes through his layered, sometimes enigmatic works.

Jon Ashcraft, hailing from Dallas, explores intuitive mark-making and the darker edges of the psyche. With a BFA from UT Arlington and an MFA from Ohio University, his abstracted figures and atmospheric works feel like inner landscapes, searching, moody, and deeply expressive.

Together, these artists created a show that was eclectic and full of painterly tension. From goopy abstractions to intimate portraits to emotionally heavy scenes from daily life, Wet on Wet was a reminder that painting isn’t just alive, it’s restless, evolving, and wide open.

There was a strong sense of play in this exhibition, not just in the literal brushwork, but in the spirit of the show. It was about sharing that early energy, that sketch-stage spark that those “in the know” get to witness before it becomes canon. And honestly? That’s one of the things that makes the Vegas art scene so exciting right now.

Thanks to everyone who showed up, supported, and helped bring this show to life. Stay tuned for what’s next!

Queer Pop! Perspectives on 21st Century Pop Art

January 12, 2025 by Available Space Art Projects

Available Space Art Projects was proud to host Queer Pop!, a thought-provoking group exhibition that brought a queer perspective to the enduring legacy of Pop Art. Curated by Leilu Hart and Davey Parks, on view December 2024, with an unforgettable opening reception that included a performance piece and a zine release. This pop-up exhibition celebrated the interplay between identity, community, and the art of cultural expression.

Queer Pop! showcased works that reimagined and redefined the boundaries of Pop Art through a distinctly queer lens. The exhibition’s featured artists: Ann Fuhring, Sam Ganados, Davey Parks, My Boyfriend's Out Of Town, Iulia Filipov-Serediuc, Dan45 Hernandez, Lane Sheehy, Bailey Anderson, Catherine Jaggi, Alisha Kerlin. Ika Pearl, Leilu Hart, Montaysia Yuneek, Adam Benedict, Pop Music Boyfriend, & Elsa Smith explored themes of resistance, identity, and connection, drawing inspiration from both contemporary culture and the nostalgia of their own formative years. By doing so, they highlighted the role of queer narratives within the larger history of Pop Culture—a history often dominated by the voices of mid-century straight, white, male artists.

Through a range of mediums—including painting, sculpture, performance, and mixed media—Queer Pop! invited visitors to reconsider Pop Art as a living, evolving art form rooted in personal and collective identity. The works were not only colorful and bold but also poignant and layered with meaning, offering a window into the experiences and perspectives of today’s queer artists.

Meet the Curators

Leilu Hart, a mixed media artist based in Las Vegas, brings a deeply personal and introspective approach to their work. As a queer femme nonbinary artist, Leilu’s creations delve into themes of relationships, memory, feminism, religion, and trauma. By intertwining these elements, they challenge societal norms and explore the intersections of personal and collective identity. Their work has been exhibited widely across Nevada, and they are currently pursuing a BA in Sculpture at UNLV.

Davey Parks is a Honduran-American artist and production designer who combines his background in film with his passion for immersive art. Based in Las Vegas, Davey’s work draws from his experiences growing up in a multi-racial household and living as a gay man. He uses his skills in set design and construction to craft environments that engage viewers, encouraging them to interact with and reflect on the spaces they inhabit. With several awards for his production design work, Davey seamlessly bridges the worlds of film and gallery art.

The December 20th opening reception was a lively celebration of creativity and community. Attendees were treated to a captivating performance piece that set the tone for the exhibition’s themes of bold self-expression and cultural critique. The release of the Queer Pop! zine further enriched the evening, offering a tangible keepsake that encapsulated the essence of the show. The energy in the gallery was electric as artists, curators, and visitors came together to celebrate the power of art as a medium for resistance and connection.

Supported by Artist Resistance Through Solidarity

Queer Pop! was made possible in part by Artist Resistance Through Solidarity, an organization dedicated to uplifting underrepresented voices in the art world. Their support helped bring this transformative exhibition to life, furthering its mission to challenge societal norms and amplify marginalized perspectives.

Queer Pop! was a celebration of the ways in which queer communities have used Pop Culture to forge connections, express identities, and resist oppression. By bringing together the works of innovative artists and the vision of passionate curators, this pop-up show offered a fresh and vital take on Pop Art for the 21st century.

"Scripted Spaces" eri king

December 08, 2024 by Available Space Art Projects

The kaleidoscopic world of Las Vegas casinos has long been an emblem of controlled chaos—a place where design, psychology, and commerce collide in mesmerizing fashion. In her latest solo exhibition, Scripted Spaces, multidisciplinary artist eri king brings this complex world into focus, presenting a series of new paintings that reimagine the intricate visual and psychological landscapes of casino interiors. This exhibition offered a profound exploration of how patterns, layouts, and design strategies manipulate perception and evoke desire.

Eri King’s Scripted Spaces draws inspiration from the often-overlooked patterns of casino carpets and the maze-like spaces they inhabit. Far from mere decorative elements, these carpets are rich with symbolism and psychological intent. Through intricate compositions and dynamic forms, King’s paintings reveal the hidden narratives within these engineered designs, exploring how casinos use visual strategies to both captivate and disorient.

By examining these spaces as "scripted," King invites viewers to reflect on the layers of psychological manipulation embedded in their design—crafted to obscure certain elements while simultaneously drawing attention to others. Her work illuminates the subtle interplay between perception and control, raising questions about the environments we move through and how they shape our desires and actions.

A Las Vegas native currently based in Brooklyn, NY, Eri King’s artistic practice is rooted in examining the intersections of culture, capitalism, and the everyday. Her work spans painting, installation, textiles, video, and performance, consistently delving into the rituals and contradictions that define contemporary life.

King’s exploration of Las Vegas casinos in Scripted Spaces is deeply personal, reflecting her upbringing in a city that epitomizes the artificial allure of American capitalism. She brings a meticulous, analog approach to her art, transforming overlooked materials and moments into thought-provoking creations. Her work challenges viewers to reconsider the binaries of natural versus artificial, handmade versus mass-produced, and desire versus repulsion.

King holds a Bachelor of Fine Arts in Studio Art and Art History from the University of Nevada, Las Vegas, and an MFA in Painting from Hunter College in New York City. Over her career, she has exhibited widely, including solo shows at Miranda Kuo Gallery (NYC), Winchester Cultural Center Gallery (Las Vegas), and Catskills Gallery (NYC), as well as participating in renowned group exhibitions like Spring/Break Art Show NYC and the Every Woman Biennial. Her work is part of the permanent collection at the Marjorie Barrick Museum of Art in Las Vegas.

Through Scripted Spaces, Eri King unveils the subtle power of design in shaping human behavior. Her paintings capture the essence of casino environments, transforming them from spaces of consumption into sites of reflection. They challenge us to see beyond the surface, revealing how every detail—no matter how small—is crafted with purpose.

Visitors to ASAP experienced firsthand the tension between allure and manipulation that defines these environments, while gaining insight into King’s larger artistic project of elevating the mundane into the meaningful.

"Love Letters to Awi Kwa Ame" Alina Lindquist

November 03, 2024 by Available Space Art Projects

Artist Alina Lindquist’s solo exhibition, Love Letters to Avi Kwa Ame, presents a moving tribute to the Mojave Desert’s storied and sacred landscape. Known as Spirit Mountain in Mojave, Avi Kwa Ame is one of the Mojave Desert’s most revered landmarks, and Lindquist’s work reflects both the profound beauty and cultural significance of this newly protected monument.

Lindquist first encountered Avi Kwa Ame in January 2024, when she was invited as an artist-in-residence to the Mystery Ranch, an art and ecology research station within the monument. From that initial visit, she felt a deep connection to this 800-square-mile expanse, located at Nevada’s southern tip. Over six months, she returned frequently to immerse herself in its vast desert landscapes, hidden canyons, and rare ecosystems, letting the spirit of the land inform each brushstroke.

Avi Kwa Ame, the sacred mountain of the ten Yuman-speaking tribes (including the Mojave), as well as the Southern Paiute and Hopi people, was designated a national monument in 2023. This recognition not only preserves its significance for Indigenous cultures but also protects a unique desert ecosystem that includes juniper-pine woodlands, Sonoran grasslands, and the ancient Wee Thump Joshua tree forest. These rugged, enchanting spaces—filled with towering Joshua trees, delicate blackbrush, and unexpected springs—serve as Lindquist’s canvas, where she captures both the majesty and minutiae of the monument’s terrain.

Each painting in the Love Letters to Avi Kwa Ame exhibition reflects Lindquist’s plein air approach, in which she works outdoors to directly capture the spirit of the landscape. Using oil, watercolor, or gouache, she begins each piece on location, capturing fleeting moments of light, shadow, and color before refining these impressions into larger studio pieces. In these larger works, Lindquist balances the immediate, raw energy of her field studies with a deeper narrative informed by her ongoing research into Avi Kwa Ame’s flora, geography, and cultural history.

In her own words, Lindquist describes her time in the monument as a profound dialogue with the desert itself: “Sometimes it’s the serene silence the desert exudes, and other times it’s the playful dances the Joshua trees appear to be performing. I listen to what the desert has to say in those moments and then translate it with paint.” Her paintings embody this reciprocity, conveying not only what she sees but also how she feels about the land. They reveal Lindquist’s deep reverence for the desert, a place that gives as much in stillness as it does in spectacle.

From sprawling panoramic views to intimate glimpses of secluded springs, her canvases resonate with a sense of wonder and discovery. The desert’s vastness is met with Lindquist’s quiet intensity, giving viewers a chance to connect with a landscape that is both immense and profoundly intimate. Her love for Avi Kwa Ame flows through each piece, transforming paint and canvas into personal missives to the land.

As an artist, Lindquist’s relationship with Avi Kwa Ame goes beyond visual depiction. Spending countless days in the desert, she has developed a practice of observing, learning, and painting that continuously feeds back into itself. The more time she spends in the Mojave Desert, the more she researches the local ecology, Indigenous histories, and geology. In her words, “The more time I spend outside, the more I research the landscape, the plants, and the area's history.” This dedication to learning enriches her studio work, where she channels the land’s essence through layered, textured brushstrokes informed by both experience and understanding.

For Lindquist, each piece in Love Letters to Avi Kwa Ame is a message, a way of preserving and sharing her intimate connection with this remarkable landscape. Her work is not just about portraying beauty but about honoring a place that has profoundly impacted her. The exhibition invites us to slow down, to look and listen, and to consider our own connections to nature, land, and the stories it holds.

Love Letters to Avi Kwa Ame invited viewers to experience the spirit of Avi Kwa Ame through the eyes of an artist who has spent countless hours exploring, listening, and capturing the ineffable qualities of this cherished monument. Through Lindquist’s artwork, we are reminded of the sacred nature of this land and the need to protect and cherish it for generations to come.

"From Where I Am" Jessica Oreck

October 06, 2024 by Available Space Art Projects

Las Vegas-based multidisciplinary artist Jessica Oreck showcased her latest exhibition, From Where I Am, to Available Space Art Projects (ASAP), offering viewers an intimate glimpse into her unique creative process. Known for her fascination with the overlooked, forgotten, and invisible aspects of everyday life, Oreck continues to blur the lines between nostalgia, travel, and art in this captivating collection of postcard collages.

The show features an array of collages made during Oreck’s travels. The materials she incorporates—stamps, playing cards, cyanotypes, and various paper ephemera—form a visual narrative of places visited and moments captured, subtly revealing the artist's love for the small, the discarded, and the commonplace. Each postcard collage feels like a layered piece of memory, both personal and universal, inviting viewers to examine their own associations with the objects and fragments used.

Oreck’s work is a reflection of her artistic philosophy, which she describes as "collecting the invisible." This doesn’t refer to the mystical or otherworldly, but to the everyday materials and experiences that often fade from collective awareness, receding into the background of life. Her work is a conscious attempt to bring these overlooked details back into focus, sparking a sense of wonder in the familiar.

While Oreck is widely known for her work in film and animation—her films having premiered at prestigious festivals like Sundance, SXSW, and Tribeca—her recent focus has shifted towards sharing her collections. In 2021, she opened the Office of Collecting and Design in Las Vegas, a space devoted to the minuscule, the forgotten, and the discarded. Visitors have described the museum as an enchanting blend of your grandparent’s attic and Hogwarts Castle, and it’s clear that From Where I Am continues this thematic thread of collecting, cherishing, and preserving the fragments of life that others might overlook.

Through her postcard collages, Oreck captures not just physical objects, but emotions, memories, and the invisible weight that travels and experiences leave behind. The collection invites us to slow down, examine the details, and perhaps start seeing the world—and our own lives—with a little more attention to the small, beautiful things we often miss.

Press

Jessica Oreck, From Where I Am at Available Space Art Projects: CITD

https://couchinthedesert.art/blog/jessica-oreck-from-where-i-am-at-available-space-art-projects

"A Meodow's Prayer" Montaysia Yuneek

September 02, 2024 by Available Space Art Projects

Art has the power to connect us to worlds beyond our own, to transport us through time, and to offer a glimpse into the inner landscapes of the artist. At Available Space Art Projects (ASAP) in Las Vegas, Montaysia Yuneek’s latest exhibition, A Meadows Prayer, does just that.

Montaysia Yuneek’s A Meadows Prayer is a collection of paintings and drawings that delve into the themes of lineage, relationships, and internal peace. Through her work, Montaysia creates dreamscapes that serve as meditations and prayers for herself and her community. These imagined landscapes are more than mere artistic expressions—they are spiritual spaces where the artist coexists with her ancestors and loved ones, flourishing in lavish fields of color and form.

Rooted in expanding Western figurative traditions, Montaysia’s work bridges the physical and spiritual, the past and the present. Influenced by her lineage, she conjures her dreams and hopes on the canvas, contemplating how her ancestors and community exist within these visions. Her ancestors, though unknown to her personally, have left her with their stories, blood, and hearts. Through a contemporary lens, Montaysia reflects on their existences in a different realm, employing abstraction and figuration to create dynamic fields filled with recognizable symbols.

One standout piece in the exhibition is Mindfulness, where Montaysia explores the concept of community within a dense, dream-like space. The painting is a vivid tapestry of recognizable motifs and forms, woven together in a way that invites viewers to engage with the work on both a personal and communal level. The colors collide and form relationships, creating a conversation within themselves—each hue inspiring play, imagination, and fluidity.

At its core, A Meadows Prayer is about individual and collective involvement. It is an exploration of time in different dimensions, set against a contemporary backdrop. Montaysia’s current focus on mixed-media paper pieces further expands on this practice, adding layers of texture and depth to her already intricate storytelling.

This exhibition was not just an opportunity to view Montaysia Yuneek’s stunning works but also an invitation to journey with her into a space where past and present meet, where ancestors and descendants share a common ground, and where art becomes a form of spiritual communion. A Meadows Prayer is a testament to the power of art to bridge worlds and connect us to something greater than ourselves.

A Meadows Prayer at Available Space Art Projects created a space where art, history, and community converged in a breathtaking exploration of lineage and internal peace.

"Abandoned Lot, Secluded Cove" Emily Budd

August 06, 2024 by Available Space Art Projects

August at Available Space Art Projects (ASAP) proudly hosted "Abandoned Lot, Secluded Cove" an exhibition by artist Emily Budd that delves into the profound and intricate relationship between transformation, failure, and hope. Set against the backdrop of Lake Mead's declining water levels and the resulting young ruins, Budd's work explores themes of queer renewal and the emotional complexities of loving a "failed" place.

Emily Budd's exhibition began with her essay, "Cruising the Monuments of the Outskirts of Las Vegas," featured in the ecoartspace publication The New Geologic Epoch. In this essay, Budd reimagines Robert Smithson's seminal work A Tour of the Monuments of Passaic, New Jersey and explores the recent southwest water crisis and new ruins around Lake Mead. Her fascination with the site led her to document and interact with its landscape, collecting mementos and creating a series of sculptural works that reflect the transformation of the area.

"Abandoned Lot, Secluded Cove” is a continuation of Budd's exploration of Lake Mead, presenting an archive that captures the artist's emotional and physical connection to the area. The exhibition is a personal narrative that merges photographic and sculptural works to create a space that reflects both the history and potential futures of the site. Budd’s background in foundry craft and paleontology informs her work, allowing her to use casting techniques to create imagined queer fossils and monuments to lost histories.

The exhibition is not just a display of recent works but a statement on the impact of human actions on the environment. Budd’s refusal to further harm or disturb Lake Mead emphasizes a respect for the site and a recognition of the consequences of overexploitation. The artist's use of recycled materials and transformative processes highlights the potential for renewal and transformation even in the most discarded and abandoned places.

At its core, "Abandoned Lot, Secluded Cove" is a meditation on queer desire and futurity. Budd explores the concept of queer abandonment and the intuition to find love and renewal in ruin. The fictional archive she creates is a space where discarded portals lead to possibilities of queer futures, where the abandoned and failed can find new life and meaning.

The exhibition invited visitors to engage with the work and consider the complex relationships between place, identity, and transformation. Emily Budd’s thought-provoking pieces challenge viewers to reflect on their own connections to the environment and the possibility of finding hope and renewal in unexpected places.

Thank you to everyone who joined us for this exhibition and experienced the depth and nuance of Emily Budd’s exploration of Lake Mead and the themes of failure, transformation, and queer renewal.

"a·g·gre·gate" Mary Sabo & Jim White

July 07, 2024 by Available Space Art Projects

Available Space Art Projects (ASAP) recently showcased "ag.gre.gate," a two-person exhibition by artists Mary Sabo and Jim White. The show explored the intricate world of collage, featuring an eclectic mix of drawings, transfers onto stones, found objects, and surreal landscapes and figurative creations. This exploration was not just a visually interesting but a philosophical journey into the elements that constitute our reality.

Artists and Their Inspirations

Mary Sabo, a visual artist and arts administrator based in Las Vegas, Nevada, is renowned for her versatility in various artistic modes, including drawing, painting, sculpture, and installation. Her art is deeply influenced by themes of dirt, rituals, and surrealism, often reflecting fantasies, nostalgia, and a yearning for lost worlds that are accessible only through intangible means. A graduate of the University of Nevada, Las Vegas, Sabo's work has been showcased throughout the Mojave Desert and beyond, bringing a unique blend of personal and cultural narratives to life.

Jim White brings a unique perspective to the exhibition with his fascination for the absurdity of blending in and the spectacle of identity loss. His work is a humorous yet poignant commentary on societal norms, often described as "sterile breadcrumbs bookended by trauma and comedy." White's art traps viewers in a world of inside jokes, easing the loss of identity like an earth mover, while providing a heavy-handed premonition humored by acceptance.

The Artistic Concept of "ag.gre.gate"

The exhibition title, "ag.gre.gate," hints at the idea of bringing together disparate elements to form a whole, much like the process of creating collages. The artists employ a combination of digital and tangible mediums to craft layered compositions that speak to the multifaceted nature of reality.

Artistic Elements:

Layered Digital Collages: Photos, drawings, scanned materials, and sourced images are digitally manipulated and transferred onto various materials, creating a dialogue between the digital and the tangible.
Found Objects and Natural Elements: The integration of concrete, wood, stones, and other found objects adds a tactile dimension to the works, grounding the ethereal digital images in the physical world.
Surreal Landscapes and Figurative Creations: Both artists explore strange and fantastical landscapes, populated with surreal figures that invite viewers into an otherworldly experience.

The exhibition's description poetically outlines the evolutionary journey of elements, starting from warmth, moving through air, water, and finally reaching the mineral earth, embodying a sense of cyclical transformation. This narrative aligns with the spiritual perspective shared by Michael Jones in his 1983 work, Nuclear Energy, A Spiritual Perspective, which reflects on the subtle elemental conditions of existence and consciousness.

The thematic resonance of "ag.gre.gate" lies in its ability to merge the tangible and the intangible, the past and the present, the ordinary and the extraordinary. Sabo and White's works act as romantic vignettes on aggregate, presenting fantasies in remnants that evoke a sense of timelessness and continuity.

Visitors to the exhibition were invited to reflect on their own perceptions of reality and the elements that constitute their world. The interplay between digital and physical mediums challenges traditional boundaries of art, encouraging a deeper appreciation for the complexity and beauty of aggregate forms.

"The Crying Room" Chris Bauder

June 02, 2024 by Available Space Art Projects

Art, in its most profound essence, serves as a mirror reflecting the intricate dance between human experience and the passage of time. Chris Bauder’s latest exhibition, "The Crying Room," embodies this very spirit. A celebration of materials, memories, and metaphors, Bauder’s work is an evocative journey through the realms of aging, preservation, and the fragility of the human condition.

Born in 1978, Chris Bauder has carved a unique niche in the Las Vegas art scene, known for his adept manipulation of various mediums to explore themes of longevity and decay. Bauder’s oeuvre includes the use of slip cast ceramics, found materials, bronze, and latex paint—each chosen for their distinct properties and symbolic weight. While bronze symbolizes strength and prestige, latex paint embodies fragility. This meticulous selection underscores Bauder’s contemplation on life expectancy and the enduring nature of art. Through his process of casting, covering, and dipping found objects, Bauder immortalizes the fleeting, forging a tangible connection to his childhood memories and the symbols that shaped them.

"The Crying Room" is an exploration of myths, legends, and the didactic stories we use to impart lessons about growth, society, and change. Bauder reflects on the manipulative tactics often employed to instill these teachings, particularly the way fear and coercion are used to convey messages deemed essential for societal conformity.

Bauder’s reflection on his own life—marked by physical decline and mental transformation—permeates the exhibition. He delves into the choices that have defined his existence, from dietary and drug consumption to the beliefs he has cultivated over the years. The works in "The Crying Room" are crafted to awaken unconscious desires, blending morbid beauty with an underlying darkness.

In this exhibition, Bauder integrates sculptures with lighting elements, juxtaposing bronze and latex forms with neon lights and flicker bulbs. This combination not only dazzles the viewer but also manipulates perception, echoing the manipulation inherent in the myths and legends Bauder critiques. The use of neon, reminiscent of 1950s TV lamps, serves as a historical nod to past efforts to mitigate the supposed dangers of television light, such as blindness and insanity. Flicker bulbs, suggesting false fire, provoke contemplation on the existence of Hell and the dualities of truth and illusion.

Repetition is a recurring motif in "The Crying Room," underscoring the interconnectedness of the exhibited works. Flowers, fire, snakes, tumors, light, and smiley faces appear throughout, symbolizing the intertwined nature of growth and destruction, good and evil. These elements serve as visual anchors, guiding the viewer through Bauder’s narrative landscape where humor and satire punctuate deeper reflections on worship, sexuality, disease, and death.

Chris Bauder’s "The Crying Room" is more than an art exhibition; it is a visceral experience that challenges perceptions and provokes introspection. By blending personal history with universal themes, Bauder invites us to reflect on the stories that shape our understanding of the world and our place within it. Through his innovative use of materials and his poignant thematic explorations, Bauder ensures that "The Crying Room" will linger in the minds of its audience, a testament to the enduring power of art to capture the ephemeral nature of human existence.

"Jones Ranch Egypt" Brent Holmes

May 05, 2024 by Available Space Art Projects

In May 2024 at ASAP an exhibition challenged the very foundations of cultural representation and historical narratives. "Jones Ranch Egypt" stands as a testament to artist Holmes' exploration of intertwined legacies, weaving together threads of European cataloging traditions, mid-twentieth-century Western agitprop, and the rich history of African sculptural and spiritual heritage.

At first glance, each piece in the exhibition appears as a convergence of disparate elements—an amalgamation of symbolic African sculptures and American Western art. Yet, upon deeper reflection, Holmes invites viewers into a profound journey, unveiling the stolen histories and obscured narratives that shape our understanding of the West and its cultural heritage.

Central to Holmes' exploration is the concept of the "imaginary West," a realm where historical truths and cultural erasures collide. Through evocative imagery and meticulous craftsmanship, Holmes confronts the viewer with the dual stolen history embedded within Western expansionism. The cowboy, an iconic figure synonymous with American individualism, becomes a canvas for Holmes to expose the often-obfuscated role of black and brown bodies in shaping the landscape of the West.

Intriguingly, Holmes draws parallels between the cultural erasure perpetuated by the depiction of cowboys and the institutionalized theft of African artifacts. By juxtaposing these narratives, Holmes highlights the interconnectedness of historical injustices—both in the portrayal of marginalized communities in Western art and the exploitation of African cultural heritage.

One of the most compelling aspects of "Jones Ranch Egypt" is its call for a liberated narrative surrounding foregone trajectories in human history. Through the fusion of African symbolism and Western iconography, Holmes constructs a visual dialogue that challenges conventional understandings of cultural ownership and representation. Each artwork serves as a poignant reminder of the complexity of human experience and the urgent need to confront the legacies of colonialism and cultural appropriation.

Moreover, Holmes' exhibition serves as a rallying cry for inclusivity within the art world—a demand for the recognition of marginalized voices and the celebration of diverse cultural heritage. By reclaiming and recontextualizing historical narratives, "Jones Ranch Egypt" offers a glimpse into a more equitable and inclusive future—one where the stories of the oppressed are no longer silenced but celebrated.

As visitors navigated the landscape of "Jones Ranch Egypt," they were invited to confront uncomfortable truths and reimagine the possibilities of collective memory. In this transformative journey, Holmes beckons us to confront the shadows of our past and embark on a quest for truth, justice, and reconciliation.

In a world grappling with the legacies of colonialism and systemic oppression, "Jones Ranch Egypt" stands as a testament to the transformative power of art in reshaping our understanding of the past and envisioning a more just and equitable future.

Curated by Sydney Galindo

About the curator:
Sydney Galindo, a first-generation Filipina American of Visayan and indigenous descent, is a curator with a strong commitment to decolonizing the art world. With an emphasis on re-indigenization and curatorial activism, her practice revolves around spotlighting minority artists and their distinctive experiences. Armed with a BA in Art History from the University of Nevada, Las Vegas, Galindo is currently pursuing her master’s in museum studies, aiming to reshape the dialogue around art, culture, and representation.

"Swchwindel" Dylan Jones

March 31, 2024 by Available Space Art Projects

“Schwindel” invites visitors to embark on an emotional journey through the complexities of the human condition. Dylan Jones, a visionary artist known for his thought-provoking pieces, unveils his latest project titled "Schwindel," a testament to the rawness of life's experiences.

Jones, known for his previous series "Song of Songs," takes his exploration of themes such as grief, loss, and abandonment to new heights in "Schwindel." Through a combination of paintings, interactive sound installations, and unconventional elements like animal bones, Jones creates a multi-dimensional experience that resonates deeply with viewers.

At the core of "Schwindel" is the concept of life's dizziness—the dizzying highs and crushing lows that define the human existence. Jones captures the ebb and flow of emotions, presenting a narrative that is both poignant and introspective. Each piece serves as a window into the tumultuous landscape of the soul, inviting reflection on the universal experiences that shape our lives.

The exhibition features a series of new paintings, each bearing Jones' signature style—a blend of bold strokes and intricate details that draw the eye and evoke visceral reactions. These paintings serve as visual representations of the emotional turmoil inherent in the human experience, capturing moments of vulnerability, resilience, and everything in between.

But "Schwindel" goes beyond traditional art forms, incorporating experimental pieces that push the boundaries of creativity. Interactive sound installations add another layer of immersion, inviting visitors to engage with the artwork on a sensory level. The inclusion of bones as a symbolic element further underscores the theme of mortality, reminding viewers of the fragility of life and the inevitability of loss.

In his statement, Jones reflects on the multifaceted nature of human emotions, emphasizing the importance of acknowledging and embracing the full spectrum of experiences. Whether it's the heartache of saying goodbye to a loved one or the joy of discovering new connections, each moment contributes to the rich tapestry of life.

"Schwindel" is a testament to the resilience of the human spirit, a celebration of life in all its complexity. Through his work, Dylan Jones invites us to confront our own fears, hopes, and dreams, inspiring us to embrace the beauty of our shared humanity.

"Schwindel," reminds us of the profound interconnectedness of all things—the threads that bind us together in our collective experience of existence. In a world often plagued by chaos and uncertainty, Jones' exhibition serves as a beacon of hope, offering solace and inspiration to all who dare to embark.

"Torn Together" Las Vegas Collage Collective

March 08, 2024 by Available Space Art Projects

Las Vegas, known for its lights, casinos, and extravagant entertainment, is also home to a burgeoning artistic community. Among the myriad of talents within this desert city lies a group of artists who have embraced the art of collage as their primary mode of expression. These artists recently came together to showcase their works in the first group show of the Las Vegas Collage Collective, hosted at Available Space Art Projects.

Entitled "Torn Together," this exhibition explores the essence of collage-making, where disparate elements are torn apart and then meticulously reassembled to form something entirely new and unexpected. Drawing inspiration from the alchemical phrase "Solve Et Coagula," the artists delve into the transformative power of bringing fragments together.

The show features a diverse array of 2-dimensional and 3-dimensional works, highlighting the versatility and depth of the collage medium. From intricate paper collages to immersive found object assemblages, each piece offers a unique perspective on the art of combining disparate elements.

Among the featured artists are Carina Arriaga, Jeffrey Bennington Grindley, Jorge Lara, Chad Martinez, John McVay, Laura M. Meyer, JK Russ, and Jim White. Each artist brings their own distinctive style and approach to collage, resulting in a variety of artistic expression.

The themes explored in "Torn Together" are as varied as the artists themselves. From the exploration of paper art and the use of found images to the therapeutic aspects of collage-making and its role in community building, the exhibition delves into the multifaceted nature of this dynamic art form.

The opening reception of the show was a celebration of creativity and collaboration, with attendees marveling at the ingenuity and craftsmanship on display. In addition to the visual artworks, the reception also featured live sound performances, further enhancing the immersive experience of the exhibition.

As visitors meandered through the gallery space, they were invited to ponder the connections between seemingly disparate elements, reflecting on the ways in which collage mirrors the complexities of the human experience. "Torn Together" serves as a testament to the power of art to unite, transform, and inspire—a testament to the boundless possibilities inherent in bringing things together.

"The Paradigm of Poison" by Ross Takahashi

February 03, 2024 by Available Space Art Projects

In the contemporary world, poison permeates our existence, both in tangible and abstract forms, weaving itself into the fabric of our daily lives. It manifests not only in the literal toxins we encounter but also in the metaphorical realms of politics, personal struggles, and global crises. This intricate interplay between toxicity and desire, between vice and virtue, is masterfully depicted in the captivating art exhibition titled "The Paradigm of Poison."

Curated to provoke introspection and reflection, this exhibition delves deep into the complexities of our modern predicament. Each artwork serves as a poignant commentary on the myriad ways in which poison infiltrates our existence, whether through the allure of vices or the subtle erosion of our well-being.

At the heart of the exhibition lies Briona Hendren's evocative piece, "Vices," a striking amalgamation of cast bronze and a silver spoon, juxtaposed with the unsettling presence of the "Ranida-trypophobia Creamer." Through this juxtaposition, Hendren confronts viewers with the allure of indulgence and the hidden dangers that lurk beneath its surface, challenging us to confront our own temptations.

Dominique Chavira's "Tiny Gluttonies" further explores the theme of indulgence, utilizing acrylic paint, ink, and glue to create a mesmerizing tableau of excess. The glossy finish on canvas serves as a stark reminder of the seductive veneer that often masks the toxicity of our desires, beckoning us into a labyrinth of self-destructive consumption.

In contrast, Sam Horowitz's "As Thin (Short) As Possible" offers a poignant meditation on the impermanence of human existence. Through the use of 23 karat gold leaf atop a cast cylinder of concrete, Horowitz invites viewers to contemplate the fragile balance between creation and destruction, between the ephemeral and the enduring.

Katherine Alt's "Devoured" further deepens the exhibition's exploration of existential themes, presenting viewers with a mesmerizing fusion of fine art print embellished with 24K gold leaf. Through the symbolic imagery of the snake, Alt invites us to embrace the transient nature of life and the transformative power of surrender.

As visitors traverse the exhibition space, they encounter an array of thought-provoking works, from Ross Takahashi's imposing "COLUBER NIDUS VAS," crafted from cast bronze and patina, to Chris Bauder's enigmatic "Black Bouquet," composed of latex paint and pillow stuffing. Each artwork contributes to the rich tapestry of themes woven throughout "The Paradigm of Poison," inviting viewers to confront the complexities of their own existence in an increasingly toxic world.

In the end, "The Paradigm of Poison" serves as a powerful testament to the enduring power of art to provoke introspection, inspire dialogue, and illuminate the hidden contours of our shared human experience. Through its exploration of vice and virtue, desire and destruction, this exhibition challenges us to confront the poison that surrounds us, and to seek redemption in the beauty of our own imperfect humanity.

"Brillantina & Ligera" Jose Bellver & Pasha Rafat

January 02, 2024 by Available Space Art Projects

In the heart of Las Vegas Jose Bellver and Pasha Rafat come together for the first time in an exhibition that transcends the traditional boundaries of artistic expression. Titled "Brillantina & Ligera" this show unfolds mesmerizing visuals of glitter paintings and neon light installations, where decades of artistic exploration culminate in a visually dynamic dialogue between the two artists inspired by the most contemporary city in the world.

For both Bellver and Rafat, their artistic practice has been deeply rooted in the arid landscapes of the desert and the juxtaposition of lush life among the neon signs, a shared environment that has become the catalyst for their individual explorations. Through the years, these artists have delved into the interplay of color, light, and space, each interpreting the vastness and mystique of the desert in their unique ways.

Jose Bellver, known for his evocative glitter paintings, employs a captivating play of light and texture. His works, rich in hues and texture, draw the viewer into a world where the desert's shifting sands are translated into a dazzling dance of glitter. The depth and complexity of his pieces reflect the layers of experiences and emotions gathered over decades of painting.

On the other hand, Pasha Rafat, a master of neon light installations, takes a more contemporary approach. Rafat's work is a fusion of modern technology and artistic ingenuity, as he weaves luminescent tubing through the space, echoing the radiant beauty of the Las Vegas nights. His installations are not only visually striking but also invite contemplation on the impact of human intervention in natural landscapes and architecture.

"Brillantina & Ligera" is a celebration of the artistic interpretations of a location between Bellver and Rafat. The exhibition provides a unique opportunity to witness the convergence of their individual perspectives, creating a harmonious yet visually dynamic dialogue within the gallery space. As viewers move through the exhibition, they are immersed in a world where glittering canvases and neon lights intertwine, inviting them to explore the limitless possibilities of art.

The impact of their shared journey is palpable in each brushstroke, sparkle, and glow. The desert, with its endless horizons and ever-changing hues, has not only influenced their choice of materials but has also shaped the way they perceive and translate the world around them. "Brillantina & Ligera" is a testament to the transformative power of art and the enduring influence of a shared environment on artistic practices.

"Brillantina & Ligera" is more than an art exhibition; it's a celebration of the synergy between two remarkable artists who have embraced the desert as their muse. Jose Bellver and Pasha Rafat invite us to witness the magic that unfolds when decades of artistic exploration converge in a visually stunning display. As the glitter paintings and neon light installations come together, a radiant horizon emerges, inviting us to contemplate the way we interpret our own surroundings.

"Fever Dream" Evan Dent

December 02, 2023 by Available Space Art Projects

Evan Dent's recent art show, titled "Fever Dream," is a testament to the transformative capability of collage. Dent's exhibition took viewers on a mesmerizing journey through intricately cut collages, with a particular focus on Las Vegas-themed postcards and ephemera.

Evan Dent's work delves deep into the realm of psychedelic visuals, reshuffling perception and sensory exploration. His choice of postcards, ephemera, and antique photographs from diverse sources becomes an odyssey through time and space. The application of glitter, paint, acrylic resin, and an array of materials, unleashing a riot of textures and colors that defy the boundaries of the ordinary. These elements, skillfully manipulated, create a tactile and visually captivating dimension where light doesn't just illuminate; it dances and refracts, transforming the surfaces into kaleidoscopic dreamscapes.

A striking feature of "Fever Dream" was a wall adorned with several small collages on paper sourced from old magazines. This diversity of materials and sources speaks to Dent's refusal to confine himself to a single medium or style. Instead, he embraces experimentation, seeking new combinations to create visual witticisms and explore themes like memory, hope, and ideals.

Dent's process of cutting up postcards into strips and arranging them to create depth and motion is a visual metaphor for the malleability of memories. In his artist statement, he articulates the idea that memories, like his collages, are subject to rearrangement and evolution with each recollection. The dynamic compositions encourage viewers to engage actively, to move around the artwork and witness the subject shift before your eyes.

The optical play of the surfaces mirrors the complexity of our own memories. Initially clear, they morph and change upon exploration, challenging our perceptions and understanding of the past. Dent poignantly likens this process to the way childhood pets become more loyal, sunrises more colorful, and foods more delicious with each retelling. In the end, an event transforms into a memory, a memory into a story, and with repetition, a story becomes a tall tale.

In his meticulous approach, Dent transforms the act of selecting and engaging with a single image into an intimate exploration of its potential narratives and emotional resonance. Liberated from traditional artistic boundaries, he breathes life into postcards, ephemera, and antique photographs, transforming them from mere fragments of the past into dynamic vessels of mathematical precision. Through this treatment, Dent unveils hidden layers within each chosen image, coaxing out latent stories and emotions, and inviting viewers to embark on a personal journey through the visual landscapes he meticulously crafts. In his hands, a single image becomes not just a static entity but a vibrant and evolving piece of the larger mosaic that is his artistic narrative.

As we navigate the ever-shifting landscapes of memory and perception, artists like Evan Dent serve as guides, inviting us to reconsider our past, question our present, and imagine new possibilities for the future. "Fever Dream" stands not only as an art exhibition but as a testament to the fluidity of our experiences and the boundless potential of artistic methods.

"Artifactual" Mark Brandvik

November 03, 2023 by Available Space Art Projects

In October 2023 Mark Brandvik's "Artifactual" exhibition took center stage at ASAP. This project showcased a collection of artifacts, models, remnants, ephemera, and video documentation related to the production of "Earth Rise," a grand public sculpture installed on the grounds of the Moapa Valley Community Center in Overton, Nevada.

Born in Las Vegas, Nevada, Mark Brandvik is an artist with a remarkable journey through the world of contemporary art. Brandvik received a BFA from the University of Nevada, Las Vegas, in 1996 and continued his artistic pursuit with an MFA at the University of North Carolina at Chapel Hill in 1998. His work has left a mark on the art world, being featured in prominent exhibitions and publications. His notable achievements include inclusion in 'Tilting the Basin: Contemporary Nevada' at the Nevada Museum of Art, Reno, and recognition by Las Vegas Weekly as the "Best of 2014 for Narrative Sculpture."

Mark Brandvik's art is not limited to the borders of the United States; it has traveled across North America and Europe, captivating audiences with its unique narrative and expressive power. His works can be found in private, public, and corporate collections, a testament to the impact of his creations.

Mark Brandvik's art journey is an ever-evolving narrative, and his recent and upcoming projects exemplify his commitment to pushing artistic boundaries. "Earth Rise - Double Negative Gateway," a large public sculpture commission for Clark County, Nevada, and "Relaunch" at Capital City Arts Initiative Courthouse Gallery in Carson City, NV, are just a couple of examples of his recent projects. These creations combine visual artistry and storytelling in a way that resonates deeply with audiences.

In addition to these exciting projects, Mark Brandvik has also curated exhibitions like "Wily Coyotes" and "My Favorite Book" in Los Angeles, offering a platform for emerging artists to showcase their talents.

Mark Brandvik's passion for art extends beyond his own creations. He has been teaching studio art since 1997 at institutions such as the University of North Carolina at Chapel Hill, the University of Nevada, Las Vegas, and the College of Southern Nevada. His dedication to nurturing the next generation of artists is as evident as his artistic talents.

The "Artifactual" exhibition at ASAP brought an interesting look into the creation of “Earth Rise”. The collection of artifacts, models, remnants, ephemera, and video documentation associated with "Earth Rise" provided a rare glimpse into the creative process behind this monumental sculpture. It is a unique opportunity to delve into the artistic mind of Brandvik and explore the materials, inspirations, and stories that contributed to the realization of "Earth Rise."

Mark Brandvik's "Artifactual" exhibition was not just an art show; it was an immersive journey through the creative process. By exploring the artifacts, models, and remnants associated with "Earth Rise," visitors gained a deeper appreciation for the artist's dedication to storytelling through art.

"IN RELATIVE OBSCURITY" Brian Gibson

October 01, 2023 by Available Space Art Projects

In the vast expanse of the art world, there are often those hidden gems that go unnoticed for years, until someone with a keen eye and a passion for preserving artistic legacies unearths them. "IN RELATIVE OBSCURITY" is a full-length video project that does just that. Created by the artist Brian Christopher Gibson, this project delves into the world of Belgian artist Albert Szukalski and his unique approach to art as a "situation maker." But it doesn't stop there; it also highlights the crucial role of documenting art that emerges in isolated environments for the benefit of future generations.

Starting on September 15th, 2023, Brian Christopher Gibson took over the studio of ASAP to present "IN RELATIVE OBSCURITY" in its entirety. This project spans over an hour and is deeply inspired by the rugged and awe-inspiring Death Valley terrain that surrounds Rhyolite, Nevada, USA. Through this immersive experience, viewers will have the chance to explore the rich artistic legacy of Albert Szukalski and the stark beauty of the landscape that inspired Gibson's work.

At the heart of "IN RELATIVE OBSCURITY" lies the story of Albert Szukalski, a figure who is often overshadowed by more prominent artists but whose contributions to the art world are no less significant. Szukalski was known for his distinctive approach to art, which he described as that of a "situation maker." His work often blurred the lines between sculpture, performance, and environment, creating immersive experiences that challenged traditional notions of art. Gibson's project brings to light not only Szukalski's art but also his life story, offering viewers a glimpse into the mind of this visionary artist.

Moreover, "IN RELATIVE OBSCURITY" underscores the importance of documenting art that arises in isolated environments. Far away from the bustling art scenes of major cities, these remote locations serve as a canvas for artists to express themselves in unique ways. Gibson's work encourages us to reflect on the value of preserving such art for future generations. It prompts us to consider the question of whether these hidden treasures will be discovered and appreciated or remain in relative obscurity.

In addition to the video presentation, Brian Gibson also shared recently unearthed information and photographs of Goldwell Open Air Museum founder, Albert Szukalski. These materials provide a rare and intimate glimpse into Szukalski's early works, accompanied by first-hand accounts from those who knew him and recollections of significant moments from his earlier years before he embarked on his journey to America to work "in relative obscurity." This personal touch adds depth and dimension to the project, offering a richer understanding of Szukalski's life and artistic evolution.

"In Relative Obscurity" is more than just a video presentation; it's a journey through the worlds of art, isolation, and the unyielding human spirit that seeks to create and preserve beauty, even in the most remote corners of the Earth. Join Brian Gibson on this remarkable adventure as he celebrates the work of Albert Szukalski and reminds us of the importance of documenting and bringing to light the art that exists, often hidden from the spotlight, waiting to be discovered.

"We're Here!" Sara Jean Odam

September 04, 2023 by Available Space Art Projects

Sara Jean Odam is an artist who finds her passion in exploring the world of performance through her vibrant and direct paintings. Her artistic journey is characterized by a unique collaboration between painter and performer, resulting in lively portraits of clowns in various costumes and settings. Working primarily with acrylic and oil, Odam's art embodies the joy and energy derived from her sessions with models, filled with camaraderie, artistic discussions, and personal anecdotes.

Using her keen powers of observation, Odam paints from life, delving into textures like fur, skin, eyelashes, satin, sequins, stripes, tulle, and glitter. Through these rich visual elements, she masterfully examines the language of performance and challenges the perspectives of the viewer, the sitter, and the painter in the realm of figurative art.

Odam's choice to work with clowns as her models proves to be a powerful source of inspiration. The very nature of clowns, using their bodies, masks, and humor to confront cultural taboos, opens up endless possibilities for playful exploration in the darker aspects of human existence. Embracing vulnerability and awkwardness, she skillfully evokes empathy by reminding us of our shared humanity, with all its complexities, aging bodies, needs, and the intricacies of gender and sexuality.

In the heart of her work lies a profound love for people and painting, driven by a desire for meaningful connections and a fascination with how transformation and performance can empower individuals to express their authenticity. Her artwork is an exploration of the interplay between power, agency, and the act of performing.

The title of her exhibition, "We're Here!", draws inspiration from the HBO drag queen makeover docuseries of the same name. This show, watched during challenging pandemic times, left a lasting impact on Odam, revealing stories of resilience, love, and acceptance despite facing hostility. It demonstrated how drag can be a potent means of transforming grief and forging connections. With this exhibition, she celebrates visibility—the profound act of seeing and being seen—encouraging viewers to embrace their own stories, share their experiences, and connect with one another on a deeper level.

Overall, Sara Jean Odam's artistic journey is an exploration of performance, transformation, and human connection, reflected in her exuberant and thought-provoking paintings. Through her painted collaborations, she invites us to celebrate the power of vulnerability and empathy, inspiring us to find authenticity in our own lives and appreciate the transformative potential of art.

"Sana, Sana" Justin Favela

August 07, 2023 by Available Space Art Projects

Step into a world where tradition meets contemporary art, where familiar materials are transformed into captivating installations that carry profound cultural meaning. Welcome to "Sana, Sana," a thought-provoking art show by the talented multidisciplinary artist, Justin Favela. This immersive exhibition invites viewers to experience a unique fusion of Latinx culture, family heritage, and personal reflections, all conveyed through a creative assemblage of aloe plants, tissue paper, and symbolic elements.

As you enter the art space, you are immediately greeted by an assortment of aloe plants, each nestled in random pots lined with foil. Aloe, with its renowned healing properties, has significant cultural significance in Latinx communities, especially in the context of folklore and traditions. Justin Favela's decision to incorporate aloe plants serves as a powerful symbol of healing, comfort, and rejuvenation – elements deeply rooted in the artist's heritage and family upbringing.

At the center of the room lies a visually striking and intricate tissue paper rug that leads visitors on a restricted path through the exhibition. The delicate yet powerful tissue paper, a seemingly simple material, is expertly transformed into an inspiring creation. This rug represents the artist's exploration of the concept of place and how one's journey through life can be both restricted and transformative. As viewers gingerly walk along the tissue paper pathway, they are prompted to reflect on their own life's journey and the constraints they may encounter.

The walls of the room are adorned with tissue wallpaper, a manifestation of Justin Favela's fascination with pop-culture and its significance in shaping contemporary identity. The choice of tissue paper as a medium creates a nostalgic and relatable atmosphere, reminiscent of childhood crafts and DIY projects. Amidst the tissue wallpaper, a prominent painting reads "Jesus es mi pastor" (Jesus is my shepherd), a phrase that speaks to the artist's spiritual and cultural roots.

In his artist statement, Justin Favela emphasizes the importance of art history, Latinx culture, community, celebration, and home in shaping his creative endeavors. By blending familiar materials and cultural references, Favela establishes a strong connection with his audience and invites them to explore their own sense of place, authenticity, and identity.

Through his art installations, sculptures, and paintings, Favela seeks to challenge and dismantle institutional hierarchies within the art world. "Sana, Sana" celebrates cultural diversity and explores the rich heritage of Latinx communities, providing a platform for stories and experiences often overlooked in mainstream art spaces.

"Sana, Sana" is a captivating project that immerses viewers in a vibrant tapestry of Latinx culture, familial heritage, and personal reflections. Justin Favela's skillful use of familiar materials and cultural symbolism creates an inclusive and engaging experience, inviting viewers to connect with their own identity and embrace the diversity that makes our world so enriching. As we wander through the aloe plants, the tissue paper rug, and the tissue papered painting, we come to appreciate the beauty and complexity of art that resonates deeply within us.

"Anatomy of a Ghost" Jim White

July 02, 2023 by Available Space Art Projects

Jim White's latest project, "Anatomy of a Ghost," is a thought-provoking exploration of the concept of transformation. Through his evolving collages and sculpture, White invites viewers to consider the ways in which art can reflect and shape our own personal journeys of growth and change.

The show's title comes from White's artist statement, which speaks to the idea of art as a way of "dismantling the familiar" and "constructing new creations." White sees art as a process of constant change, and his work reflects this ethos. The collages in the show are made up of fragments of found objects, which White has arranged and rearranged to create new and unexpected meanings. The sculptures are similarly fluid and mutable, often incorporating elements that can be moved or rearranged by the viewer.

White's work is inspired by the lives and work of Frida Kahlo and Pablo Picasso. These two artists were known for their radical experimentation and their willingness to challenge the status quo. White sees them as kindred spirits, and he finds inspiration in their example.

"Frida and Pablo serve as my guides," White writes in his artist statement. "They remind me of the transformative power that lies within art and the interconnections of art and life."

White's work is a powerful reminder of the transformative potential of art. His collages and sculptures are a visual feast for the eyes, but they also offer a deeper message about the nature of change and growth.